Die Ölgemälde alles Alessandro Allori
Choice ID Image  Painting (From A to Z)       Details 
81304 Camilla Martelli  Camilla Martelli   oil on panel 66.5 x 51.5 cm Date 16th century cjr
58190 Christ with Mary and Martha  Christ with Mary and Martha   Christ with Mary and Martha, oil on wood, 125 x 118 cm Kunsthistorisches Museum
58189 Portrait of a Woman  Portrait of a Woman   Portrait of a Woman (Bianca Cappello?) Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence
82584 Portrait of a Young Man  Portrait of a Young Man   Date second half of 16th century Medium Oil on canvas transferred from wood Dimensions Height: 117 cm (46.1 in). Width: 87.5 cm (34.4 in). cjr
81553 Portrait of Bianca Cappello  Portrait of Bianca Cappello   Date 16th century Medium Oil cjr
70533 Portrait of Eleonora  Portrait of Eleonora   Medium Oil on panel Dimensions Expression error: Missing operand for *114.5 ?? 89.5 cm
92120 Portrait of Francesco de' Medici.  Portrait of Francesco de' Medici.   c. 1560(1560) Medium oil on canvas Dimensions 98 X 79 cm (38.6 X 31.1 in) cjr
90010 Portrat Isabella de Medicis  Portrat Isabella de Medicis   from 1575(1575) until 1599(1599) Medium oil on panel Dimensions 56 x 44 cm (22 x 17.3 in) cjr
97304 Sagrada Familia  Sagrada Familia   1602(1602) Medium oil on canvas Dimensions 148 X 114 cm cyf
83117 Susanna and The Elders  Susanna and The Elders   second half of 16th century Medium Oil on canvas cyf
84656 Venus and Cupid  Venus and Cupid   Date second half of 16th century Medium Oil on wood cjr
81778 Venus disarming Cupid  Venus disarming Cupid   ca. 1570(1570) Medium Oil on panel Dimensions 137.9 x 226.1 cm (54.3 x 89 in) cyf
78574 Venus disarming Cupid.  Venus disarming Cupid.   ca. 1570(1570) Oil on panel 137.9 x 226.1 cm (54.3 x 89 in) cjr
58374 With the red dog lady  With the red dog lady   mk261 1580 -1585 oil painting in canvas 112 x 90 cm
Alessandro Allori
(May 3, 1535 - September 22, 1607) was an Italian portrait painter of the late Mannerist Florentine school. Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.



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